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The Church music topos in the Requiem. According to the rules of musical science the Requiem is not a sacred work in the usual sense. But then, Verdi was not a religious man — dramatic expression was the musical language where he could communicate best and which he spoke to perfection. The fitting comparism to the Sistine Chapel has repeatedly been brought up: this is not an intimate and consoling chamber work — for its dimensions are too big and its gestures too powerful — this is a magnificent musical fresco, which overwhelms us with its greatness and shattering intensity in both its beauty and terror.
Messa da Requiem. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. PDF scanned by Unknown m. PDF scanned by archive. Creative Commons Zero 1.grupoavigase.com/includes/399/965-mejor-sitio.php
Verdi: Requiem & Four Sacred Pieces
Requiems ; Funeral music ; Religious works ; Masses ; For 4 voices, mixed chorus, orchestra ; For voices and chorus with orchestra ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the mezzo-soprano voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring mixed chorus ; Scores featuring the orchestra ; Latin language ; Ancient Greek language ; Greek language ; For piano 4 hands arr ; Scores featuring the piano ; Scores featuring the piano 4 hands ; For 2 players ; For piano arr ; For 1 player ; For organ arr ; Scores featuring the organ ; For violin, piano arr ; Scores featuring the violin.
Verdi: Requiem - David Rosen - Google книги
Performer Pages Ferenc Fricsay conductor. Hedwig's Cathedral Choir. Munich: Bayerischer Rundfunk ,